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November 23, 2015 1

By Gregg Fisher & Anthony Alvarez of The Stem

“We must deepen a case history to a narrative or tale;
only then do we have a ‘who’ as well as a ‘what,’
a real person, a patient, in relation to disease.”
— Oliver Sacks in “The Man Who Mistook His Wife for a Hat”

Dr. Oliver Sacks was a great proponent of taking a humanistic and holistic approach to understanding patients and their afflictions. While he was specifically addressing neurology and the practice of medicine generally, Life Sciences companies can learn much from his emphasis on patient-centric inquiry – viewing patients from within the context of their personal lived experiences, delving into patient stories to understand how they got to be where they are and how they plan to move forward into the future.

Such understanding requires an intimate picture of the “patient journey,” and must encompass the physical, emotional and social course people take through “time” and “place”, including a patient's experience at different touch-points in the healthcare system. Only this robust level understanding will shed light on “why” patients behave as they do, “where” they need the greatest help, and “how” to offer that help in ways that will connect and overcome the barriers that exist.

While patient-centricity is at the top of the agenda of most Life Science organizations, there is an urgent need for commercial teams to evolve their market research practices to cultivate a richer understanding of patients. But how do we cultivate this depth of insight?

Deepening patient understanding

Fisher-Alvarez-Nov2015-artworkThere is room for a variety of insight techniques to understand the patient journey. But one of the most powerful, yet under-used, is ethnography. Contrary to the way some people think about it, ethnography is not just interviewing patients at home (or doctors in their offices). Ethnography is a way of observing people and understanding them using a holistic perspective.

Ethnography helps us study how people experience their lives. Unlike traditional market researchers, who ask specific, highly practical questions, ethnographic researchers visit people in their homes or offices to observe and listen in a non-directed way. The goal is to see people’s behavior in highly personal and perhaps idiosyncratic terms. The act of observing helps us discover the complex, subtle, often unconscious ways that people make decisions, even when they cannot tell you themselves.

Unlike most consumer brands, pharmaceuticals have historically been insulated from the need to have a rich, immersive dialogue with their “consumers”– i.e., a patient in the care of a prescribing doctor, or a caregiver. Instead, pharmaceutical brands, and even much of the healthcare system, have treated the patient as more or less an object, labeled as “noncompliant” when not behaving in ways that others see as best for them.

A vital step in using ethnography is to rethink the business problem as a question about the patient, with the patient at the center. This requires us to stop looking at the market, the product, and the consumer from the company’s perspective and examine the patient’s perspective instead. For example, brands need to explore how patients feel living with their disease day to day, how it affects their self-image, their social lives, and their experiences of the health system. An ethnographic approach sees the choices people make as grounded in a coherent cultural context, not as rational or illogical.

Once you know more about how a patient experiences the world, you can start to diagnose the factors that undermine their relationship with your brand. For example, how does using your product affect them physically, emotionally and socially? How do they experience their relationship with prescribers and other healthcare providers? What barriers exist? What support services work for them or do not work for them? How do they like to engage? How do they interpret information that is being presented to them? How does your brand resonate with their goals, dreams and aspirations?

Ethnography in action

Here are two real-life examples of ethnography in action, one informing a go/no-go launch decision for a brand and a second driving a significant change in patient messaging and support initiatives.

  1. Patients Experience Empathy. One of our clients was concerned about the commercial viability of their new osteoporosis medication that was about to hit the market. Taking the drug by infusion meant that patients would have to think about treatment only once a year. But marketers worried that the target audience would balk at the idea of spending any time at all in an infusion center. After all, this would mean rubbing shoulders with patients with serious diseases like rheumatoid arthritis and cancer. But spending time with these women to understand their life stories revealed that many had themselves experienced bouts of hardship and illness. When we accompanied them to hospitals and clinics to test the waters at the infusion center, rather than being repelled by what they saw, they empathized and even identified with the other patients. They felt lucky to have such a mild condition that required so little of them, and saw their ability to overcome their own squeamishness as evidence of personal strength and resilience. They viewed the experience within the context of a life narrative that included the ability to survive difficulty. Therefore, we advised the company to alter their approach to the brand. We urged them to portray infusion therapy as a confident choice, in line with a sense of resilience rather than a desire for convenience. The executives in the company were convinced of the evidence and brought the drug to market.
  2. Quality vs. Quantity of Life. The maker of an orphan drug for a childhood genetic disease wanted to understand why some patients were quitting their treatment, despite gaining years of longevity and quality of life over previous generations. We got connected with some of these “lapsed” patients, as well as those who were generally adherent. We observed the dynamic between patients and caregivers as they explained the stringent disease management regimen that dominated and disrupted their lives. We saw their thoughts and feelings unfold though diaries and photo essays. What emerged was a view into a crisis of dramatic proportions. Like many teens and young adults, these patients longed to feel normal and unconstricted by the fears and expectations of the authority figures in their lives. But their crisis was compounded by a profound alienation that had always isolated them from their peers and from society at large. When they quit treatment, they quit alltheir treatment and left behind an identity as diseased, defective and limited. Deep in denial, they could experience, even if only for a short time, that sense of being unaware of their own mortality. With this understanding, we encouraged the company to see their mission differently. They should focus not just on messages about hope and longevity. They would need to build bridges back to the disease community. They would need to promote an inclusive identity that gave patients a sense of belonging within a context of self-care. They would need to help prepare caregivers to hand-off, and for patients to accept, the responsibility of managing their own disease. This would position the company as life-long partners in the patient journey, rather than promoters of good behavior. These insights informed the design of an overhauled patient support program, consisting of content, tools and services that support the patient throughout their lifetime with the disease.

Conclusion 

Patients are people first, and their decision to maintain (or abandon) a relationship with your company or brand is motivated by the many facets of human experience, not simply functional/medical needs. They are influenced by a wide array of emotions, social anxieties, relationship issues and even aesthetic considerations.

When patient behavior is unexpected or confounding, that is often a clue that there is a disconnect between the consumer and the brand – at the level of product experience or brand proposition. While market data is vital to enabling brands to function, it cannot provide an explanation for why people do things in the ways they do them. Using ethnography, we can shed light on the context in which patients use a product as well as the meaning that product has in their lives to create the most compelling patient experiences.

 

About The Stem
The Stem is a global management consulting firm specializing in customer strategy and experience solutions. We provide Health brands with specialized expertise in strategy and innovation, insights + analytics, digital operations and execution support through a “networked consulting” model that draws on the industry's leading talent. Please visit The Stem at http://www.thestem.com/.

 

About the Author

Anthony Alvarez currently serves as Research Director with The Stem. He brings more than a dozen years of experience to his work as a user researcher, ethnographer and research moderator. He has a passion for understanding how people experience health and illness and developing actionable insights to support brand strategy, marketing communications and design. Anthony combines in-depth research expertise with digital communications expertise. Previously he worked as an independent consultant, at Hall and Partners and Sapient. Anthony has worked across a wide spectrum of Health clients including Novartis, Baxter, Ortho-McNeill, Questcor, Pfizer, Merck, Sanofi-Aventis, Novo Nordisk, Johnson & Johnson, and Eisai.

Gregg Fisher


November 23, 2015 0

By Cheryl Lubbert of Health Perspectives Group

Lubbert-Nov2015-artworkAs we look back over the past year for lessons learned that we will take into the New Year, there are many we could choose: from celebrities on social media to controversial pricing. But based on our work with thousands of patients, helping to connect them with biopharma companies large and small, one of the top areas of concern right now is protecting their personal information.

This is not a concern that has impacted Direct-to-Consumer marketing historically, but the world is changing, and DTC is evolving. We are in the middle of an unprecedented shift in the way companies communicate with consumers, from a mass-media, one-way approach, delivering product information from the top down to drive demand, to a “me-media,” two-way model focused on the exchange of information for mutual benefit, powered by new technologies and evolving consumer expectations.

Research shows that consumers expect and want more two-way communications, especially as it relates to support. For example, a Manhattan Research study showed that 59% of online consumers expect the healthcare system to offer the same level of customer service they receive at a service-oriented company like Amazon.com. Yet only 8% of online consumers say that pharma companies are providing a better customer experience than two years ago.

This new way of communicating poses many challenges for biopharma companies, including explaining complex medical data, navigating technology, and regulatory and legal oversight. But it also brings to the forefront a new challenge unique to this approach: consumer concerns about privacy, security, and transparency where their personal health information is concerned.

As a result, privacy and security are the top concerns we see moving into 2016. Though they both relate to how private information is handled, these two concepts are different, as defined by the Healthcare Information and Management Systems Society (HIMSS):

  • Privacy is the right of an individual to make choices with respect to the collection, use and disclosure of their data.
  • Security refers to the safeguards – physical, administrative and technological – used to protect the confidentiality, integrity and availability of the data.

You’ve all heard the scary news about security breaches that send us frantically to our credit card statements and credit reports. First, it was data stolen from Target and Home Depot, and other incidents followed. Just a few weeks ago, we learned that hackers targeted JPMorgan Chase and 14 other companies, including The Wall Street Journal, pulling off the “largest theft of customer data from a U.S. financial institution in history,” stealing personal information of more than 100 million people, in a data breach described as “breathtaking in its scope and its size.”

Unfortunately, news like this has almost become routine. But consumers are taking the ease with which data can be stolen or misused to heart where their health information is concerned. This year we have heard time and again from patients that they want to share their health experiences and even their data and information, but they are worried about their privacy.

And who can blame them for being concerned? In a study in Harvard Business Review, the authors reported: “Though some companies are open about their data practices, most prefer to keep consumers in the dark, choose control over sharing, and ask for forgiveness rather than permission. It’s also not unusual for companies to quietly collect personal data they have no immediate use for, reasoning that it might be valuable someday.”

Even with the financial breaches mentioned above, according to the Identity Theft Resource Center, health care has been the most common area for data breaches in the past three years, and medical identity theft was up about 20% between 2013 and 2014.

Data concerns are impacting every corner of the healthcare, from electronic health records to health trackers. This year we conducted a survey through our online platform Health Stories Project, and we found that less than half of respondents are confident that the information in their Electronic Health Record is secure, and less than a third even know who has access to information in their EHR.

And in the Altimeter Study on Consumer Concerns About Data Privacy, consumers were asked about the data implications of fitness trackers, connected cars or connected home appliances, and how they could be used for a company to collect health data and sell it to someone else – and most did not give a positive review, expressing concerns about:

  • 78% if/where companies sell their data
  • 73% where companies keep their data
  • 68% how companies identify them as an individual
  • 67% who sees and analyses their data

So consumers have concerns about their data privacy, ranging from data selling, storage, and access to the ability to be identified individually. What can we as an industry do to address privacy and security concerns?

In addition to addressing the technical factors that keep data secure, biopharma companies can help their customers feel comfortable and confident sharing their health information by being transparent about how they will (and won’t) use it and how they will keep it private and safe.

The authors of the Harvard Business Review study I mentioned earlier summarized the role transparency will play: “In a future in which customer data will be a growing source of competitive advantage, gaining consumers’ confidence will be key. Companies that are transparent about the information they gather, give customers control of their personal data, and offer fair value in return for it will be trusted and will earn ongoing and even expanded access. Those that conceal how they use personal data and fail to provide value for it stand to lose customers’ goodwill – and their business.”

With growing concerns about privacy and security, the key is to plan all of your initiatives with the understanding that patients are sharing the most personal data they have when they share details about their health. As an industry, as we shift to a two-way model of communication with our consumers, it’s our responsibility to honor and protect that, and to communicate clearly how we are making that a priority and a reality.

Cheryl Lubbert


November 23, 2015 1

By Anne O’Brien of Remedy Health Media

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I have been quite the content creator lately. My October wedding provided plenty of fodder for Facebook posts, reaching not just my friends, but friends of friends. I was providing entertainment that might otherwise have been provided by a commercial publisher, maybe by my company’s site HealthCentral.com, or maybe your brand’s content.

Free content creation has been a concern to publishers from the beginning of the internet. As marketers, we thought we would become our own publishers. At the turn of the century many thought advertising would become obsolete as brands could just use search to drive their target audience directly to their own content. But managing that content, keeping it current, making it relevant, engaging, and trusted has proven to be a bigger challenge than most marketers can manage with great success. The challenges in the pharma space are even more compounded.

Our counterparts in consumer goods have engaged resources that can make their products cultural icons, or part of the consumer landscape. Take Buick’s product placement deal with ABC’s Black-ish. The team at Dentsu Aegis’ The Story Lab was able to not just pull off a simple product placement, but to marry and fully integrate their client, Buick, into the storyline. In one episode the ad agency featured in the program is pitching the Buick account. Per Molly Peck, Buick Marketing Manager: “With any of these integrations, they allow us to be organically woven into a storyline. We get the benefit of being part of the program, so people are actually watching it as opposed to advertising where viewers often don't watch it.” What a brilliant way to capture key copy points and articulate your brand value. Can you see that happening for an Rx product?

We certainly have a “higher bar” when marketing prescription products; so how will we maximize efficiencies, reach the most appropriate audiences and encourage patients to discuss our products’ treatments with their doctors in 2016?

Continuing the heavy mix of television will prove to be less impactful as even the older audiences are skipping ads on their DVR, using Netflix, Apple TV, and other devices to have more control. Many of my friends in advertising (and maybe you, too) will record all their programming simply because ad skipping is a more efficient way to watch TV.

In digging through reports from Nielsen and stories in the advertising trades, ad avoidance is focused on digital ad blocking technology. Reported by PageFair and Adobe, ad block usage has increased by 48% in the past year with 45 million monthly active users in the US. It is rare to hear stats on TV ad skipping and even more difficult to demonstrate who is paying attention to ads. TV remains a powerhouse but with 65% of U.S. adults having smartphones, and 45% having tablets, viewer distraction continues to be a challenge to marketers. Additionally “live TV” viewing by adults 18+ is down to four and a half hours per day – with 18-34 year olds spending 54% of their “media” time with TV.

Partnering or sponsoring the development of storylines about a condition relevant to your brand can be done on TV or in movies, but not without challenges (and good contacts like the team at The Story Lab have!). These tactics are fabulous opportunities for brands, but they don’t have the “legs” to sustain reach and awareness over time. Your advertising needs to be the thread that links the programming, requiring that the advertising message must do some heavy lifting. Beyond the legal requirements, DTC ads must be as engaging as the content surrounding them to ensure that they do not get skipped.

I have always been a firm believer in the catch phrase “content is king”. Is your creative strong enough to be king? Is it in an environment that complements the creative? Does it feel connected to the content… do they go hand and hand?

When I left Johnson & Johnson in 2007, I believed the real patients writing from HealthCentral.com had the most powerful stories to help others like themselves receive the best care possible and do all they can for their condition. I was confident those stories would also result in more visitor engagement with advertising. Today, Remedy Health Media’s team of producers and video experts are bringing powerful stories to life via short-form multimedia executions like Gay’s Rheumatoid Arthritis Live Bold, Live Now: Turning Points story. These stories are proven to have strong content and ad engagement. Results of a site survey found that:

  • 94% of respondents would recommend the story to others
  • 91% of respondents were inspired
  • 82% of respondents related to the story
  • 75% of respondents learned something new about the disease

The impact on the advertising is even more profound:

  • Respondents were 2x more likely to research the advertised medication online
  • Respondents were 2x more likely to talk to their doctor about the advertised medication
  • Respondents were 3x more likely to request a prescription for the advertised medication
  • Brand recognition of the advertised medication was 3x higher among Turning Points visitors

My 2016 prediction is there will be far more ad skipping, blocking, and avoiding, except where consumers are highly engaged in content that is sought out and relevant for their specific needs. If you need to relax and have a laugh and are also in the market for an Enclave Crossover, Black-ish is the perfect environment to be receptive to Buick’s message. If you are diagnosed with Rheumatoid Arthritis, you may be interested in a TV series featuring a patient with RA, but more likely you will be connected and deeply engaged to learn how real people with RA manage the very real hassles that the condition presents in real life and how they overcame these obstacles.

Looking back, I made some big life changes in 2007, not only did the career move prove to be advantageous; the online dating plan did, too. I am very happy to report that, after 8 years, I sealed the deal with my favorite ad skipper!

Anne OBrien


November 19, 2015 0

Stop the coughing before it becomes a social media plague.

By Peter Friedman of LiveWorld

Friedman-Nov2015-artworkIt’s taken a while, but the pharmaceutical industry has slowly realized the value of social media to reach caregivers, health care professionals, and patients to raise awareness and even track adverse events. According to the IMS Institute for Healthcare Informatics, only half of the 50 largest pharmaceutical companies worldwide use social media, and only 10 are on the Big Three: Facebook, Twitter, and YouTube.[1]

But patients, caregivers, and healthcare professionals are, and they’re posting about everything from what they need to, questions and adverse events. Placeholder pages aren’t going to cut it in this world where those affected are quick to complain and slow to retract. For pharmaceutical companies, that means taking cautious steps when social media becomes a petri dish for a full-blown PR crisis. As a regulated industry, pharmaceuticals especially need to be prepared for a possible social media crisis. Here are a few precautions pharmaceuticals should take.

  1. Re-evaluate – or even stop – scheduled posts.

Schedules are great when everything is going smoothly. But during a crisis, what may seem perfectly innocuous in any other context could further ruffle feathers. In crisis management mode, stopping all scheduled posts, on every channel, can help you refocus the message, as can pulling the plug on paid social promotions. This is the time to make sure your message is being seen, undiluted.

Only after you’ve got a handle on the crisis can you resume social media scheduling, but you’ll want to make sure anything being posted is unlikely to throw gas on smoking embers (and when dealing with humans, they are easily reignited). And certainly watch any new posts until you’re completely sure the crisis is over, even involving the legal team as necessary to ensure new posts don’t create additional liability.

  1. Take a time-out.

While a time-out won’t work in the OR, it can work wonders in the midst of a crisis. When you need to buy some time to work on the company’s response, use a “pause post.” Basically, the pause post will be tailored to the situation and the person and make it clear that you hear and acknowledge the issue, you’re working on a response, and you’ll have an update at [insert date and time here] on [your site].

While this can be difficult if discontent has spread virally over social media, it’s still worth it – just don’t post the same response to everyone.

  1. Pick your battles – and your battlefield.

Sometimes, just one person is stirring the pot, and there’s a way to nip it in the bud: get that person on the phone, preferably employing the most compassionate person you have on staff (if the person who calls the irate party is rude and argumentative, the situation will deteriorate very quickly). Listen to that angry person; just simply ask what happened. Take notes, recap your understanding to that person, and then make sure you’re following through. Address the issue and provide the person with a resolution, not just an apology.

But if the problem has spread, you’ll have to herd the cats, so to speak, and get everyone on the same platform to open up a dialogue. The company blog is an ideal place to get everyone off social media and into a single spot. It’s easy to share with a link and allows for a longer response.

  1. Write a well-thought out response.

In pharmaceuticals, there’s no easy way to respond to a crisis. But as with other brands, there are ways to successfully respond and diffuse a bad situation.

First, answer the question head-on and own the problem. Acknowledge that there’s a problem; avoid “we’re sorry you feel that way” at all costs. Then, unless there is a critical factual error, don’t start explaining. Just acknowledge, take responsibility, and apologize. Acknowledge the experience, and keep the brand human – convey humility in your response, and make sure it reads like a human wrote it. Get the resident Devil’s advocate on your team to read the response and ask for the snarkiest reply possible – that may transform the message altogether.

And this can’t be said enough: make sure you run the response through legal, indicating that this is a rush job, to avoid any liability in the future.

  1. Stay on the ball – don’t drop it.

Managing the crisis doesn’t stop at posting a response. It’s important to follow up, monitoring social media channels and answering questions as they arise – and they will arise. Make sure that the link to the central discussion is easily accessible as well.

In pharma, it’s also very likely that the media will jump on a crisis, and the PR and legal teams will be key in ensuring the right message gets to the press. Keep track of industry articles, bloggers, and more, and make sure that if an outlet publishes incorrect coverage, someone is able to reach out to provide correct information. As bloggers post, reach out directly to them to thank them.

Ultimately, the most important thing is to let the public know that the company is learning from the experience. It will turn the crisis from “evil pharmaceutical company” to “compassionate pharmaceutical company” much faster.

Reference:

[1] http://www.fiercepharmamarketing.com/special-reports/top-10-pharma-companies-social-media

 

About the Author

We hope you enjoyed this adapted excerpt from The CMO’s Social Media Handbook: A Step-by-Step Guide for Leading Marketing Teams in the Social Media World, by Peter Friedman, CEO and Chairman of LiveWorld. To read more, download a free PDF version, or buy the hardback or ebook via online booksellers. Connect with him @PeterFriedman.

 

Peter Friedman


November 16, 2015 1
Bob Ehrlich
“Media reporting on DTC is heavily biased negatively…” -Bob Ehrlich

I don’t mean to sound paranoid but it seems to me that media reporting on DTC is heavily biased negatively. Maybe it reflects the media’s general anti-big business attitude. I recently came across a Los Angeles Times article on DTC, focused on risk communication. It is titled “Direct-to-consumer marketing is a scandal, can the FDA fix it?” The article from 9/18/15 is about how drug ads confuse consumers with medical language and overstate benefits through its pretty visual scenes.

The FDA has actively regulated DTC since its inception and continues to oversee what the ads say. They ensure fair balance and as any drug marketer knows, FDA reviewers are not rubber stamps for drug makers. This article is not very different from most critiques of DTC. The writer calls for more easily understood consumer language. Most drug companies are already doing that in broadcast and print. No drug maker is trying to obscure risks through some hidden plot to use medical terms.

My concern on how the media writes about DTC is when they use terms like scandal in the headline. This article never said what the scandal really is about. The writer presented no quantitative evidence of consumers being deceived by drug ads except citing studies that consumers do not fully understand side effects in ads. Scandal is a strong word that should be used judiciously. While it is certainly true drug ads are meant to sell products, these ads are rigorously reviewed by FDA for accuracy. Ads are not meant to be the only information on a drug the consumer sees. The consumer has easy access to many views on a drug’s efficacy and risk profile.

Consumers may not fully understand every warning or risk in an ad. They can look up more on the Internet and ask their doctor. This reporter makes DTC ads out to be some nefarious strategy to obscure risk. Yet what other advertising category is regulated such that half their ad contains warning and risk information. I admit there are legitimate concerns that DTC ads can be confusing. Drug makers and FDA want consumers to understand the ads. Most print ads now use a consumer friendly fact box style of risk information. Television ads are regulated to ensure risk communication is read at the same pace as benefits. FDA has done and is doing numerous studies to ensure ads are understood and in balance.

While scandal as a headline gets attention, the media needs to back it up with proof. Certainly the Los Angeles Times is happy to accept drug ads as a revenue source. Maybe they should refuse such “scandalous” ads in an effort to protect their readers. Somehow I doubt they would because DTC ads help their bottom line.

Bob Ehrlich, Chairman
DTC Perspectives, Inc.

Bob Ehrlich


November 6, 2015 0
Bob Ehrlich
“89% want drugs ads to be approved by FDA…” -Bob Ehrlich

The Kaiser Family Foundation recently asked consumers about DTC advertising and drug affordability in a recent poll. There is some good news and bad news for drug advertisers in the poll. The good news is a 51% majority of Americans say DTC advertising is a good thing. While that is not an overwhelming mandate in support of DTC, it is not a bad number.

The concerning poll data was that 89% want drug ads to be approved by FDA before they air. The public has this false perception that drug ads are not well regulated by FDA. While FDA does not by statute pre-clear ads, almost all drug companies voluntarily submit ads before they air to get FDA comments. The drug companies must submit ads to FDA once they air but few will wait that long. No drug company wants to risk a punitive action by airing a violative ad because they face running corrective ads. The public can rest assured that FDA for all practical purposes does pre-review ads.

What is also concerning is that 57% say drug companies spend too much on advertising to consumers. They probably believe that drug companies raise prices to fund ads. As I have written before drug ad spending is only about 2% of revenue. Ending DTC would not cause drug companies to cut prices. In fact by lowering demand, a cut in advertising would probably cause drug companies to raise prices to increase revenue. This idea that drug ads raise prices is continually fueled by ignorant politicians who conveniently rail against drug marketing.

Since Americans think drug prices are too high anything that can cast marketing as the cause is a political winner. The poll said 63% of Americans want government action to lower drug prices. Of course we all want lower drug prices. That would be nice as would lower prices for a lot of things. Most Americans also want cures for disease and to be protected against future pandemics. While explaining the link between drug research and drug prices is complex, I am sure we as an industry could do a better job making the case.

While the poll found nothing shocking, the views of Americans on drug pricing and advertising guarantee it is a juicy election issue. That will keep drug company and advertising industry lobbyists busy fighting against threats of price controls and marketing bans. The drug industry does not deserve to be vilified but I am afraid that will be the case for a long time. All we can do is try to present the facts fairly.

Bob Ehrlich


October 30, 2015 0
Bob Ehrlich
“We are entering the prime of the DTC era..”
-Bob Ehrlich

Yes, DTC is 30 years old, not 18 as some say, thinking it started in 1997 after FDA liberalized television regulations. The FDA started to allow it in 1985 after lifting the moratorium on doing prescription drug ads. DTC spending was at a trickle in the late 1980’s and started to take off with a print boom in the early 1990’s.

In 1991 spending was only $55 million but steadily grew through 1996 to $595 million. Most was in print but some branded television reminder ads also started to appear. The FDA recognized the folly of allowing drug companies to state the brand name on television without allowing the indication. Consumers saw television ads screaming Claritin, Claritin, Claritin without mentioning what it was intended to treat. Drug companies used print to tell what it was for, and TV reminders became the Hamburger Helper of brand name awareness to supplement the full story told in print.

In 1997, FDA issued a guidance allowing drug companies to do branded with indication television without being forced to scroll the whole package insert. This led to the feasibility of the 60 second ad we know and love today. The spending floodgates opened rising steadily each year to reach over $5 billion in 2006.

Then the spending started declining steadily to the mid $3 billion level by 2013 largely due to big brands going off patent and a slow down of new drug launches. Some industry experts felt DTC could be on the outs. Some drug company executives spoke out against it saying it has caused image issues, and DTC was threatened with moratoriums, tax penalties, mandatory pre-clearance. For the past three years we have seen a strong rebound driven by many new brands heavily using DTC. We could see $5 billion again very soon.

So why does a 30 year old industry still feel so unsettled? What still needs to be learned? Are we now all experts or still relative novices? DTC, unfortunately, will always be unsettled. This is because many influential people in government, medicine, consumer watchdog groups, the media and insurance dislike it. The arguments are many and we all know them. DTC overstates benefits, it raises prices, takes money from R&D, causes doctors to waste time explaining drugs seen on ads, and creates demand for over treatment.

Given the drug companies are on the presumptive Democratic nominee’s enemies list, DTC will be unsettled for the foreseeable future. Thirty years of advertising has not mellowed the critics. Threats to DTC will remain a fact of life from outright bans, moratoriums on new drug advertising, forced reporting of ad expenditures versus research, taxes on advertising, restrictive FDA policy, public pressure and a media quick to vilify drug companies.

Is there now a marketing maturity through accepted principles and understanding how best to do DTC advertising? I would say we have a come along way since the early 1990’s but still have a ways to go to reach maturity. Health care is such a dynamic industry and changing in consumer behavior and technology faster than we can absorb. We all know how social media exploded while FDA was puzzled how to regulate 2015 media with 1970’s regulations. We have gotten great experience making television and print ads, are getting good at point of care media, and have volumes of good ROI data. Our DTC marketers are no longer pulled from the detail forces of drug companies, and most have solid consumer advertising backgrounds.

The next five years will create massive opportunities for DTC marketers. We have the multicultural explosion still barely recognized in DTC advertising. We have Internet spending lagging other industries but has become the main source of health information. We have consumers much more involved in how to spend their increasingly higher health care co-pays. We have a government adding millions of people to health care insurance. We have a shortage of doctors to see patients, getting less time with each patient meaning they need more help explaining treatment options to patients.

We also have a technology explosion in health records, health trackers, and other fitness wearables. We are seeing the start of remote medicine, allowing diagnosis and treatment online. We see an explosion of retail medicine through mini-clinics. We can get vaccines at our supermarkets. The consumer expects medicine to be convenient and reasonably priced.

DTC will be a part of all these trends and although television will still be a big part of most media plans, new approaches will be evaluated, tested and added to DTC media. At thirty, we can say we are entering the prime of the DTC era and our experts will need to stay busy making sense of the many forces shaping consumer advertising.

A few years ago some in our industry, the media, and in medicine were predicting the death of DTC. Instead it has resumed a strong growth trend and we have escaped a premature death. DTC works well and drug makers recognize it. There is no reason to think DTC will not celebrate 40, 50, and beyond. I am at 20 years in DTC and look forward to many more.

Bob Ehrlich


October 28, 2015 0

Spend enough time with children and you will learn the difference between hearing and listening. You can tell kids to clean up until you are blue in the face without even a turn of their head, but whisper ice cream and they come running. This is the difference between reaching your audience and connecting with them.

With children it is easy to tell which messages are connecting. If the room is still a disaster, your message did not connect; when there is a line in front of you for ice cream, this is a sign you got their attention.

Talbot-Oct2015-ArtworkGetting the consumers’ attention is not all that different than children. People react to what is of interest to them, in psychology the term for this is salience.[i] As suggested by Max Sutherland & Alice K. Sylvester in Advertising and the Mind of the Consumer, one way advertisers can gain prominence in the minds of consumers is through repetition. The issue here is there is a difference between reach and frequency, and salience.

The key to connecting with your audience is about identifying the insights that make people feel as if you are speaking directly to them. To this point, veteran marketer Graciela Eleta says, “Great insights are not about adding more factual data or reasons for buying your brand. Finding a great insight is like having an ‘aha’ moment; it’s about unearthing a belief that unlocks consumer’s hearts & minds; one that says ‘this brand understands me and my life’.”

While making a connection is critical for all brands and all consumers, it is even more pronounced when reaching out to multicultural audiences. It is for this reason that Lisa Valtierra, an awarding winning pharmaceutical marketer says, “With a multicultural audience, whether you are talking about the Hispanic, African American, or LGBT segments, it is obvious when they are part of your plan from the start or just an afterthought.” This is why she ensures all creative begins with insights relevant to her target audience as opposed to adapting something from the general market.

It is the presence of consumer insights that explains why two brands with similar executions can perform differently. Unlike with children and ice cream, assessing the creative connect with consumers can be more challenging. This is because a rich marketing mix makes it hard to know which message is working or not.

Creative testing is a standard means of assessment. However, it is based on self-reported feedback of participants. With self-reporting there is potential for participants to give socially acceptable responses. Also referred to as the Hawthorne Effect, this is when people modify or improve an aspect of their response as a result of being observed.[ii]

If only we could understand what the consumers were thinking and not just telling us, it would be a game changer. The good news is that we can to some degree. Hans Berger, a German psychiatrist, was the first to record brain waves in the 1920s, having invented the electroencephalogram (EEG). Today, market researchers are incorporating the use of biometric monitoring tools, such as the EEG and eye tracking, in their studies to understand the unspoken responses of consumers.

Working together Nielsen and Univision, SMG Multicultural set out to try and understand Millennials. The work focused on the bi-lingual Millennials reaction to language and the cultural context of messaging. Using a combination of EEG and eye tracking, the study was able to determine that not only the language but the context in which it is delivered impacts message receptivity and drives greater emotional engagement and memory activation.

The problem with using tools such as EEGs has been cost, but this is changing. Cerora, a new company from Bethlehem, PA, is about to make brain monitoring more accessible. Developed to help with early detection of concussions, the Cerora Borealis multimodal biosensor solution is a single lead EEG brainwave sensor that wirelessly transmits data to a tablet or laptop. What this means is with a specialized headband collecting brainwaves and sending results to a tablet, market researchers now have an easy to use and affordable means of understanding what consumers are thinking.

Just because a piece of creative works with one audience does not mean it will work with another. As Lisa Valtierra has identified, the key to success starts with understanding to whom you are speaking. Be focused on who your audience is, what you want to tell them, and how you want them to feel. Keeping these principals in mind and leveraging the tools available today to understand consumers, you will be on your way to making a creative connection.

 

References:

[i] Max Sutherland & Alice K. Sylvester: Advertising and the Mind of the Consumer.

[ii] McCarney R, Warner J, Iliffe S, van Haselen R, Griffin M, Fisher P; Warner; Iliffe; Van Haselen; Griffin; Fisher (2007).

Eric Talbot


October 28, 2015 5

Molloy-Oct2015-ArtworkEditor’s Note: DTC Perspectives asked a leading creative expert to review current DTC ads for our Creative Assessment issue of DTC in Focus. OPDIVO and BELSOMRA were her standouts. Read what Brenda Molloy has to say about why these ads made her take special notice.

It’s necessary now more than ever for commercials to stand out from the crowd. The ability to cherry-pick what we watch, to fast-forward through commercials, and sometimes to not be exposed to paid media at all, means that if we want our clients to invest their marketing dollars in TV, they’re going to need a good story to tell. And it’s got to be different.

OPDIVO’s Longer Life

I was stopped in my tracks when I first saw this commercial. I watched silently, quickly hit the rewind button, and watched it again. And then I emailed a colleague who I knew was still up to see if they had seen it, too. We ended up sharing a banter of emails about how “groundbreaking” it was and how exciting it was to see a spot like this – not to mention the emotional pull it had, and admittedly, some tears shed.

Getting excited over pharma spots doesn’t often happen, but this time it was different. The OPDIVO commercial stands out, mostly because of what it is about: advanced squamous, non-small cell lung cancer. A cancer with not a great survival rate; this is the first time in years that there are advancements in this type of cancer. And, they are claiming, you have a chance to live longer because of it! That’s damn exciting to me.

In a category like lung cancer, you need to come across as authentic, and that’s what this spot is. It opens with dramatic music, panning over a cityscape as the sun rises. Cliché? Yes, but it works; this is huge after all. As the VO announces the big news for patients living with this type of lung cancer, copy is projected on buildings and integrated into the environment. It’s done very effectively and adds to the drama as the story unfolds with multiple people (stopped in their tracks, too) staring up at the words with their loved ones. They also did a nice job of integrating the OPDIVO icon (an exclamation point) into the environment for the latter part of the spot. Subtle, but showing the excitement and the big news. I wasn’t even bothered by the almost 40-second fair balance, because I was so drawn to seeing them with hope and life left to live. And perhaps one of the most compelling parts of this commercial is in the last six seconds. It’s where BMS thanks the doctors and patients who participated in the clinical trial. Now that’s pretty groundbreaking, too.

 

BELSOMRA’s Cats and Dogs

In a category that has been around for a while, do we really need another sleep aid? Luckily BELSOMRA has a different story to tell. It works differently than the other sleep aids by turning down Wake mechanisms in the brain, so Sleep can happen. But it’s going to have to look different too.

The concept of personifying Wake and Sleep with a dog and a cat is brilliant, and the Brief must have been spot on. The visual storytelling is engaging, as you see the woman having her Sleep in the beginning (represented by a white cat), but then Sleep disappears. She searches for Sleep, only to find it being disturbed by Wake, the dog. I love the interaction between them all and how she ultimately puts Wake into the little BELSOMRA bed on the floor while Sleep gets to hop into the woman’s bed. The animation of the two “animals” is superb. The movements of both creatures really take on the characteristics of a cat and a dog as they prance, pace, and walk throughout the commercial. Sleep looks more vulnerable and cute, and Wake looks a bit more rambunctious. He is, after all, keeping the woman up at night.

The fair balance is pretty heavy, so it’s good being distracted by the “animals” while the woman goes about her day with Wake interacting with her a little more (doing what dogs do), while Sleep lays a bit low in the background (like cats do). The film quality is absolutely gorgeous. The beautiful musical score throughout the spot sounds like a whimsical rendition of Smetana’s Die Moldau that keeps me humming it long after the commercial is over.

The commercial comes to a close like a nice fairytale where everyone is where they need to be. And, while this spot seems pretty polarizing when we talk about it around the water cooler, I think we can all agree that it has the stopping power to stand apart from the competition.

Brenda Molloy


October 28, 2015 1

“Creativity is thinking up new things. Innovation is doing new things.” – Theodore Levitt, author of Innovation in Marketing

Creative assessment in pharma is the ability to generate and evaluate new, varied, and unique ideas to achieve innovative approaches. Flexibility, originality, fluency, elaboration, and brainstorming are only a few of the factors connected to this tool. It involves finding new ways, making unusual associations, and seeing unexpected solutions. This technique uncovers difficulties, issues, gaps in information, and missing elements followed by formulating hypotheses about characteristics, evaluating, and testing guesses, and then, finally, communicating results. By applying the Innovation Styles Model to pharma, novel methods stimulate curiosity and promote divergences that bring about successful outcomes.

Innovation Styles Model

Visioning, Modifying, Exploring and Experimenting are four distinctive strategies included in the Innovation Styles Model that reveal how to approach new methods, ideas or products in pharma.

  1. DiPersio-Oct2015-Artwork1Visioning forms a mental image of the ideal future. Specifically, original ideas about the future are developed through intuition trailed by facts that are gathered to support those concepts. The long-term outcome is a clear future impression. Visioning endorses innovation by crafting the big picture and presenting certain direction over a length of time. This strategy encourages commitment and provides an impetus for an expansive vision.
  1. Modifying refines and optimizes what occurred previously. Priorities for improvement are established through facts and then intuition allows the entire picture to surface. A specific short-term goal is optimized and achieved. Modifying upholds innovation by adding to what predecessors have accomplished without developing anything new. This strategy also motivates a group to concentrate on realistic, short-term success.
  1. Exploring discovers new and interesting possibilities. Assumptions are questioned with intuition and new options are discovered. Hypotheses and insights are supported by ascertained facts. Exploring searches for unusual breakthroughs and challenges to uncover sole perspectives. This strategy is enthusiastic and hopeful under vague conditions.
  1. Experimenting combines and tests many exclusive groupings. Leverage points are identified with facts and then meaning is realized using intuition. New combinations expose strengths and weaknesses. Experimenting detects ways to overcome barriers, assimilates the ideas of many people, and generates new notions to makes decisions. This strategy tests and formulates new concepts in a detailed manner and provides organized methods to take risks in increments.

Practical Applications of Creative Assessment in Pharma

DiPersio-Oct2015-Artwork2

Strategic Planning

IDiPersio-Oct2015-Artwork3mproving core competencies, emphasizing cost control, focusing on comparative effectiveness, and elevating market access are part of a new strategic planning process. Payers, such as private insurance plans, pharmacy benefits managers, governments, and employers, have moved to the forefront of the pharma industry. They now strongly desire information about drug safety and efficacy to compare drug cost effectiveness to alternative treatments. In the past, determining how much payers would pay for drugs was a major challenge for marketers. However, most recently economically justifying and identifying the intrinsic value of a certain drug is a more important challenge.

R&D and New Products

DiPersio-Oct2015-Artwork4Creative ways are now engaged to capture treatment benefit through subjective research. These practices demonstrate full product value to patients, regulators, and payers. Patients visually express disease experience with mood boards using a collage of images and/or text that represents their emotions and thoughts with drawings or online platforms such as Pinterest. People receiving medical care also utilize body mapping to indicate the location on their body where they experience signs of disease and pain. Patients tell their story in video diaries, often times using smart phones to point out their disease experience in real time. In prior years, face-to-face interviews and focus groups were sufficient, and drug developers relied on merely clinical outcomes. Nevertheless, currently patients recognize the significance of comprehending and collecting subjective research about patient attitudes, preferences, and experiences.

Work Process Improvement

DiPersio-Oct2015-Artwork5Six Sigma and Lean Manufacturing allow pharma to predict and eradicate errors which boost operational efficiency and increase the chance of quality products and compliance, as opposed to relying on end-process testing. These techniques also optimize resources, control inventory, reduce waste and errors, improve customer service and change the market entirely. They identify and remove the causes of defects while minimizing variability in manufacturing and business methods. These tools employ empirical, statistical methods so that a certain group of people materialize as experts in these methods and become an integral part of the infrastructure of the organization. Presently, profits are declining due to greater competition emanating from generic brands and an increase in errors within the manufacturing process. On the other hand, Six Sigma and Lean Manufacturing offer the possibility of saving pharma an estimated $90 billion dollars internationally.

In conclusion, creativity develops fresh ideas, methods or products while innovation puts them into action. Combining creativity and innovation builds an assessment technique that effects positive and profitable change when the Innovation Styles Model is applied to the pharma industry. The practical application of the four unique strategies of the model (Visioning, Modifying, Exploring, and Experimenting) to the strategic planning process, R&D and new products, and work process improvement creates a departure that broadens the reach of pharma and acts as a trajectory to advance the industry worldwide.

 

References:

  • “How Does Creative Thought Differ from Critical Thought? Macquarie University. (2008)
  • McClearn, C. and Croisier, T. “Big Pharma’s Market Access Mission.” Deloitte University Press. (2013)
  • Meysner, S., Kitchen, H. and Humphrey, L. “Why Creative Research Methods are Essential in Pharmaceutical Outcomes Research.” Abacus International. Decision Resource Group. (2013)
  • “Six Sigma and Its Use in Pharmaceuticals.” Six Sigma Online. Aveta Business Institute. (2014)
  • “Understanding and Applying Innovation Styles(R) for Insight, Versatility and Impact.” Global Creativity Corp. (2007)

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